![]() The Böhme concerto is one of the few true Romantic concertos for the trumpet (others exist in the Romantic style but actually were written in the twentieth century). Be careful not to rush the demi-semiquvers at bars 14, 15, 38 and 39 - there is much more time than you think! Aim for a beautiful, rounded sound overall. Breaths should only be taken where there are rests (with the possible exception of a breath before the last quaver of bar 20). The second movement of the Haydn Trumpet Concerto is an achingly beautiful and provides, even for fully professional players, one of the key tests of their ability to play with control and expressivity. The slow movement of Haydn's Trumpet Concerto takes full advantage of this. The new instrument allowed the trumpet, for the first time in its history, to play melodically in the very lowest registers. This meant that they could only play melodies in a very high register, making baroque music very difficult to perform. Originally, trumpets did not have valves, being simply a mouthpiece a long pipe and a bell. The noticeable lack of harmonic resolution makes this a weightless, almost spiritual, listening experience.The Haydn Trumpet Concerto was the first concerto written for a new 'keyed' trumpet. The melange of voices lingers on juicy chords, reveling in Messiaen’s distinctive musical rhetoric. Messiaen’s musical offering is entirely homophonic, which rises and falls with the breath. Religious teaching holds that this tradition began on the eve of Maundy Thursday, at the Last Supper. This motet, written in 1937, is a setting of Latin prose that honors the Eucharist – the sacramental consumption of bread and wine in memory of Jesus. This beautiful simplicity aria demands supreme vocal control and delicate sensitivity from the soprano, which simultaneously inflicts a profound emotional pull on the listener. However, the purity of emotion, and poignancy of the words, that ominously foreshadow death, lend themselves freely to ecclesiastical interpretation. ![]() ‘When I am Laid in Earth’, also known as ‘Dido’s Lament’, from Purcell’s late 17th-century opera, is a secular work that today is most commonly associated with remembrance. As a result of this relentless and complex counterpoint, these Lamentations are deeply emotional and utterly entrancing.Ĭlick to load video 11: Purcell: ‘When I Am Laid In Earth’ from Dido And Anaes Tallis opts for the lower, darker, richer tones of male voices, which he skilfully balances in contemplative, five-part polyphony. 20: Tallis: Lamentations Of Jeremiah The ProphetĬomposed as early as 1565, Tallis’ Lamentations are settings of verse from the Book Of Jeremiah, specifically the first ‘Nocturn’ for Maundy Thursday, one of the best classical music pieces for Easter. Listen to the best classical Easter music on Spotify. Discover our selection of the top 20 best classical music pieces for Easter encapsulating the ecclesiastical gravitas of the crucifixion, the poignancy of the resurrection, and the jubilation of springtime. ![]() ![]() The Easter story has been immortalised in some of the greatest classical works of all time, and inspired countless others. The religious celebration of Easter is a true dichotomy between death and life, endings and beginnings, grief and joy.
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